- PHONIC HELIX BOARD 18 UNIVERSAL DRIVERS WINDOWS 10 SOFTWARE
- PHONIC HELIX BOARD 18 UNIVERSAL DRIVERS WINDOWS 10 PLUS
However, given the public to whom the table, this poses no problem. So: preamps correct, but not the high end. good, do not linch me that the T1952 Beringer, a tube preamp which I find very good for its price, despite the comments can be seen. The amplification is less powerful and less crystalline. I think this is the level of the map that I also Edirol FA101. I finally tested the preamp: it did not look ashamed. I think it does its job, no matter what: when you go up the treble, the treble rises ca. It did not seem very efficient at, but I have not yet tested in real conditions. The type eq is not "British" as is the fashion now. On the site of phonic, they say that the characteristics are equivalent to those of Mackie. But when I do a sound recording with lots of microphones, j'update my opinion. For preamps, I'll be honest, I have not tested yet, since I use an external preamp. The table makes noise, because of his fan, but I do not iron the condenser microphone, while the fan on my laptop, it passes into the microphone without any problems. The level of the breath is equivalent to that generated by my synth on (an organ Roland VR-760), so I do not think that the breath is audible under normal circumstances. You can not hear a normal volume of breath, but when increasing the gain of the headset output, means there's breath.
Otherwise, there is nothing to record low in oversampling. after, we can lower the hand out to find themselves in the green. So I tested: you may well push the input gain without peak until 7 or 10 db for each channel and not hear at all of saturation, and thus have a signal using the entire dynamic of the computer. I think it's a safe for use in live, not to have digital clipping when levels are in orange. Nevertheless, one can notice the level of 0db firewire digital output is actually a level 10 db in analog. Moreover, it seems that the sound card is the same as the Mackie Onyx. The A / D conversion is very good, no problem. I will correct the notice in the future, but here's what I can say now: There, I'm sorry, I only use it for a week, and I have not had time to test all situations. I did the test on both Cubase SL 3 and Ableton Live 5: simultaneous recording of 12 tracks in 24 bit 96KHz: no problem! I could not test more simultaneously, because right now, I'm still only playing! So I do the test by connecting together all I had on hand (4 synths connected at noon, four microphones to sing).
PHONIC HELIX BOARD 18 UNIVERSAL DRIVERS WINDOWS 10 PLUS
Sometimes when you change the sample rate, it must restart, but not every time! It's still a big plus compared to my Edirol, where everything had to be shut down and restart everything every time you move from one project to a project 44KHz 48KHz. I should add that the console is a good stability in terms of drivers. The 18 tracks appear immediately on cubase. The use of computer is immediate: it installs the drivers (even bother on a Mac), you plug that's it. The volume knob is also firewire behind damage. It is unfortunate that the phantom power switch for each channel is behind, but finally, maybe a safety. If the buttons are arranged on each channel, the "hand" is very messy.
PHONIC HELIX BOARD 18 UNIVERSAL DRIVERS WINDOWS 10 SOFTWARE
Latency is very good: 5 ms on my old laptop (athlon 2400).Ībleton announces Live 24ms latency: 9 ms due to the table and the rest due to the software.Ĭubase LE is included, which is very frustrating, as it is stuck at 4-track simultaneous recording, and the software and the same level as GarageBand, from the perspective of the possibilities!Īfter, yes it can get complicated, so the possibilities are great.
We therefore, in addition to a standalone mixer sound card 18 inputs, 2 outputs. The big plus is the connection to the computer that sends the 16 + runs out in the main sequencer. Everything is possible for the routing, you can really do what we want. MAIN OUT XLR / TRS stereo + mono output XLR / TRS filter for subwoofer. TRS output for the individual effect section. Indicators 20db, peak, channel "on" and solo.Ħ Aux Sends mono, with TRS outputs and 4 stereo to return.Įffects section (lots of reverbs, delays, flanger and phaser), with a "Settings" button. 3-band parametric equalizer, parametric mid Direct out jack (1 / 4 "TRS) for the first 8 tracks Microphone preamp (XLR) with phantom power individually Console Rack (kit included) complete with firewire interface (ie replacing a sound card), in 24-bit 96kHz max.
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